KQED talks to Nguyen about the intersection of art, memory and displacement, both physical and metaphysical. (Photo credit Hopper Stone, SMPSP)
When does memory begin? That’s the question Pulitzer Prize-winning author Viet Thanh Nguyen poses in the first lines of his new book “A Man of Two Faces,” which he calls at once a memoir, a history and a memorial. Memory for Nguyen begins in part when at age four he fled Vietnam with his parents and his brother, stopping at a chain of American military bases abroad and then being placed in the homes of American sponsors in Pennsylvania, temporarily separated from his family. But Nguyen also likens memory to a sandcastle and a flickering single frame of a film, highlighting the fragility of the stories we tell about ourselves and our country. We talk to Nguyen about the intersection of art, memory and displacement, both physical and metaphysical.
Guests:
Viet Thanh Nguyen, author, “A Man of Two Faces.” His previous books include the Pulitzer Prize-winning novel “The Sympathizer”
