Hereafter, Faraway
Viet Thanh Nguyen writes about his refugee experience in this essay for The New Yorker. My eternal scene takes place in a faraway country, the one in which I was
Viet Thanh Nguyen writes about his refugee experience in this essay for The New Yorker. My eternal scene takes place in a faraway country, the one in which I was
The Pulitzer Prize-winning Viet Thanh Nguyen tells stories about people poised between their devastated homeland and their affluent adopted country. The following review was written by Joyce Carol Oates for The
Nothing Ever Dies: Vietnam and the Memory of War is reviewed in The New Yorker‘s ‘Briefly Noted’ section. The winner of this year’s Pulitzer Prize for fiction here examines the
The Sympathizer is reviewed in The New Yorker‘s ‘Briefly Noted’ section. This comic picaresque set in nineteen-seventies California is narrated by a Vietcong mole who has allowed himself to be
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